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- The House votes for possible TikTok ban in the US, but don’t expect the app to go away anytime soon
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- Live action shorts: Stories of life, death and the quirkiest of in-betweens
- ‘Rebel’ redacted: Rebel Wilson’s book chapter on Sacha Baron Cohen struck from some copies
- Ricardo Legorreta’s Los Angeles Mansion
While that may sound harsh, some of the Looney Tunes-esque qualities of this reimagining of the 1989 Patrick Swayze classic work in its favor. Especially in the first hour, when director Doug Liman and Anthony Bagarozzi & Charles Mondry are setting the table for what’s to come, there’s a fun B-movie throwback aesthetic to “Road House” that clicks for long stretches. However, once this defiantly goofy movie starts to take itself seriously, and asks us too often to do the same, the wheels come off with ridiculous twists, awkward line readings, and some of the worst fight CGI in years. Through it all, Jake Gyllenhaal delivers a fun performance that goes from charming to menacing, but even that gets lost in the chaos of a movie that needed to be sweaty, grounded, and urgent to work but becomes more and more like something you’d watch on Saturday morning.
The House votes for possible TikTok ban in the US, but don’t expect the app to go away anytime soon
It’s a surreal thing to visit that movie again, bringing the generally hideous 1980s mainstream cinematic experience back with a rush. And then there’s Conor McGregor as Knox, a sociopath who launches like he was shot out of a cannon into the back half of the movie to finish the job with Dalton. Knox brings a spark to a movie that's getting dry, but McGregor’s performance is equally fascinating and baffling, delivered almost entirely through a massive grin like he’s doing a bit at a weigh-in before a match. He struts and smiles like an aggro Popeye, and it feels like Liman told him to go over the top and so McGregor shot to the moon. There are times when his awkward line readings sound abjectly wrong, but maybe that’s intentional? It’s a constant push-and-pull of whether or not McGregor is purposefully awkward because Knox is a sociopath or if the fighter just doesn’t yet know how to put words together on screen.
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Road House 2024 Is A Very Good Sign For This Upcoming Remake Of $505 Million Hit Movie - Screen Rant
Road House 2024 Is A Very Good Sign For This Upcoming Remake Of $505 Million Hit Movie.
Posted: Tue, 02 Apr 2024 07:00:00 GMT [source]
The next available image after 2007 is from 2011, and by then, the exterior of the house was visibly dilapidated, suggesting that the Astlings might not have been living at the residence full-time. Abram Galbraith graduated from the University of Tennessee in 1918 with a degree in engineering and went on to build the house for himself and his wife, Nadine Moore Galbraith, his grandson Kent Galbraith told Knox News. The house has three bedrooms and two bathrooms, with an outbuilding that was added in 1950. The abandoned yet beautiful house on Lovell Road has intrigued passersby for years, but the brick and stone structure has now suffered further damage from a fire.
Live action shorts: Stories of life, death and the quirkiest of in-betweens
BALTIMORE - A house explosion rattled a community Saturday night in Essex. The Lovell Road home - even its worsened state - has continued to be a source of inspiration for Knoxville's daydreamers and history buffs. Reddit user lovinlemon commented on a post about the house, reminiscing about the house where they grew up nearby. In 2016, the house was bought from the Astlings by Lovell Place at Cornerstone Dr., L.L.C. While not much is available about the company online, some interested in the property have speculated on the company's plans for it.
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Seller and real estate developer Craig Robbins called Hadid's design contribution "the nicest thing that probably any friend has ever done for me." The Road House bar may be pretty small-time – in fact, some of the film’s enjoyment derives from just how small-town and petty this world is – but the fight sequences are operating on a big, bold, reality-stretching canvas. Big as in crocodile fights big, full cast bar-brawl big, knockout death match between Dalton and McGregor’s cocky (and occasionally bare-assed) hitman big. And the old 1989 Road House has a special place in the action film pantheon, because it’s so delightfully god-awful it takes on a kind of Mystery Science Theater 3000 delirium.
With its no-holds-barred choreographed fight scenes and the raw sex appeal of its lead, Patrick Swayze, the original 1989 film has become something of a cult classic, despite its shortcomings. 2024's Road House sees a buff Gyllenhaal take on the role of bouncer Dalton, who this time is an ex-UFC fighter with friendly smile that hides some inner turmoil. It becomes clear Dalton has his demons as an early scene sees him park his rundown car in the middle of a railroad crossing, only to change his mind about ending his own life at the last second. It's a scene totally out of step with the rest of the film, which never takes itself too seriously. There's a man-eating crocodile, a baseball bat carrying teenage girl, and one scene where after beating up a gang of five, Dalton himself drives them all to the hospital.
The Road House Remake Is Actually a Great Time
But whenever “Road House” has to go “extended fight sequence,” you can see ALL the strings. Of course, “Road House” isn’t just about a bouncer at a bar in the Florida Keys. It turns out there’s a lot more to the violence in Frankie’s bar than the local drunks. A real estate power player named Ben Brandt (Billy Magnussen), who inherited an empire from a criminal father, is trying to get Frankie to shut the operation down. Dalton comes in and takes care of Ben’s lackies in a series of scenes that are pretty well-choreographed and conceived. They also set Dalton’s character as the kind of guy who drives his enemies to the hospital after he beats them up.
'Road House' review: This remake of the 1989 Patrick Swayze film comes up short - NPR
'Road House' review: This remake of the 1989 Patrick Swayze film comes up short.
Posted: Fri, 22 Mar 2024 07:00:00 GMT [source]
‘Rebel’ redacted: Rebel Wilson’s book chapter on Sacha Baron Cohen struck from some copies
But that’s the weird thing — Jake Gyllenhaal turns out to be a not-bad substitute at the same game. His high Howdy Doody voice and weird Muppet smile and big, blank-eyed, mild-mannered air conveys well the singular effect of a walking lethal weapon who wants above all not to fight. Some movies that were major releases then were so literally ugly, so incompetently made, so grotesquely stupid, so ideologically heinous, they become things of sordid wonder and hilarity when seen afresh.
Ricardo Legorreta’s Los Angeles Mansion
“I do believe that there exists a group of people who can work together as adults and as investors to create a really great property. Sometimes you have to get creative,” said Peters, who has explored ways to update the Wright-designed Norman Lykes House. She says she’s looked into having an exclusive documentary made about Wright with Volumedia and offered to work as a project manager for owners looking to use the property as an “experience” rental. In the remake, Gyllenhaal’s character, named Dalton, meets a roadhouse bar owner, played by Jessica Williams (“The Daily Show” and “Shrinking”), who needs a bouncer to protect her Florida Keys haunt from thugs who bring in a character played by real-life mixed martial arts fighter Conor McGregor.
"There's people that burn a fire and little fire pits, maybe something caught on fire, but not an entire house," said neighbor Logan Lambert. A neighbor shared security video of the scene which showed the explosion and fire. In 2022, the Division of Water Resources at the Knoxville Environmental Field Office prepared a hydrologic features report for the company regarding the property. The earliest Google Maps Street View image of the house is from September 2007, and shows a white van and a small box truck parked outside. Due to blur, it's not clear if the house had begun to deteriorate by then.
Even at the very end, there’s an inventive finale to the last fight scene that I can’t describe because it’s too much of a spoiler, but it’s startlingly well done. Turns out I only got the answer at the end — it’s a movie directed by Doug Liman, an erratic talent who nevertheless has given action fans two genuinely great examples of the genre, The Bourne Identity (2002) and Edge of Tomorrow (2014). No idea how I managed to miss that crucial piece of information ahead of viewing. When we find Dalton in this version, he’s living his worst life as a kind of scammer on the underground fighting circuit, showing up in an anonymous hoodie as an apparent nobody challenging the current hotshot taking on all comers. As soon as he removes the hood, he’s recognized as the Dalton, slumming, and the hotshot refuses to fight, thus reversing the betting in a way that benefits the house. He skims off a bit of the profits and goes on laying low in a dreary self-hating way, living in his car.
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